
Han Jin is the Director of the PGK International Committee and the Chair of KOFIC Korean film global expansion subcommittee, leading international exchange and collaboration, and also the CEO of Victory Pictures, where he develops and produces a wide range of film projects.

Yulia Evina Bhara is a producer and the founder of KawanKawan Media, a film production company based in Jakarta, Indonesia. She was named one of Variety's Women of Impact in 2023 and has served as jury member at Cannes Critics' Week, Karlovy Vary, Melbourne FF and Busan IFF, among others. She is also the Head of International Relations of Indonesian Film Agency, APROFI, market advisor of JAFF Market, and a board member of Jakarta Film Week.

Handae Rhee is CEO of Sidus, with credits including Time to Hunt (Netflix), S Line (Canneseries Award), and EP on Bugonia (2026 Oscar nominee). He also leads Sidus's Korea-Vietnam co-productions, including Leaving Mom, via JV with director Phan Gia Nhat Linh.

Yamaguchi Shin is a Tokyo-based producer and founder of KNOCKONWOOD (est. 2005), with over two decades of experience structuring international co-productions across Japan, Asia, Europe and North America. His career has been defined by an ability to connect visionary directors with the financing and partnerships needed to bring ambitious projects to life on the world stage. His credits include Rental Family (2025, HIKARI), starring Academy Award winner Brendan Fraser, was released by Searchlight Pictures in 73 countries, Love on Trial (2025, Koji Fukada) premiered at Cannes 2025 and IBUKU (2026, Eddie Cahyono) screened in Competition at the 31st Busan IFF.

Co-founder and COO of Epicmedia Productions Inc, Bianca Balbuena has produced films that have won in Sundance (Filipiñana), Venice (Engkwentro), Cannes (Bleat! via the company), and a three-time-victory at Berlinale (A Lullaby To The Sorrowful Mystery, Cu Li Never Cries, Sunshine). Her other notable titles are Viet and Nam, In My Mother’s Skin, When The Waves Are Gone, That Thing Called Tadhana, Singing In Graveyards. She is the Asia Pacific Screen Awards’ Outstanding Achievement Awardee, Busan’s Asian Film Commission Network’s Producer of the year, Film Development Council of the Philippines Camera Obscura Highest Honoreee, an educator, mother to two girls, wife. She also works closely with different streaming giants.